GERTRUDE HONZATKO-MEDIZ

b. 1893, Krems, Austria
d. 1975, Zurich, Switzerland 

WORKS   |   BIOGRAPHY   |   EXHIBITIONS   |   PUBLICATIONS

SELECTED WORKS

BIOGRAPHY

Portrait of Gertrude Honzatko-Mediz by her father Karl Mediz (lithograph, 1911)Gertrude Honzatko-Mediz was the daughter of the Austrian artist couple Emilie Mediz Pelikan (1861-1908) and Karl Mediz (1968-1945). Shortly after her mother's death, spiritualist séances were held at her aunt's house, during which a medium established contact with her mother. Soon the 16-year-old Gertrude herself was experiencing mediumistic trance states in which she communicated with her mother and other "spirit friends" on the other side, under whose guidance she began to make drawings. In a regular spiritualistic exchange with her mother, a kind of collaboration beyond the boundaries of immanence, the mother gave her drawing lessons from the afterlife. At first, Gertrude created a macabre sequence with dark themes of horror, death and annihilation, representing an ambivalent realm of the spirit. Mediumistic drawing and painting became Gertrude's own way of dealing with the early loss of her mother. Often, the drawings are annotated on the reverse side by her mother.

Karl Mediz was fascinated by his daughter's creative outbursts and wrote: "I recognize in Gertrud an extraordinary genius with the power of Goya and Klinger - full of demonism and deep mysticism and great monumentality!" Later, he was inspired by his daughter's mediumistic drawings, which he copied and developed together with her.

Gertrude's spectrum became wider and wider. Under the guidance of various spiritual guides, she produced etchings, drawings in pencil, charcoal, and ink, symbolist to abstract pastel works whose formal and coloristic elaborations recall Ensor and Munch, and finally small oil paintings as well as impressive drawings of "spirit portraits" - a fascinating gallery of the afterlife, primarily of protagonists from German medieval legends. These latter works seem to have served her father as models for his own artistic plans. Karl Mediz had a (never realized) project to design the sets for Parsifal and other Wagner operas at Bayreuth. Apparently, Gertrude worked on this project in her own way, while her hand was guided by the spirits.

The mediumistic work of Gertrude Honzatko-Mediz suggests that she did not see herself exclusively as an instrument of powerful spirit guides without autonomy, but that her art was largely produced in collaboration with disembodied entities. There are several historical examples of the notion of mediumistic art as an autonomous collaborative interaction of drawing and painting mediums with their spirit guides.

EXHIBITIONS

2025 Fata Morgana: Memories from the Invisible / Fondazione Nicola Trussardt at Palazzo Morando, Milano, October 7-November 30, 2025
2025 Hidden Modernism: The Fascination with the Occult around 1900 / Leopold Museum, Vienna, September 4, 2025 – January 18, 2026
2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond / The Gallery of Everything, London, 9/29 - 11/24/2019
2019 Plants of the Soul: Floral Fantasies between Symbolism and Outsider Art / Wilhelm Hack Museum, Ludwigshafen, Germany, March 31, 2019 – August 4, 2019
2019 Flying High: Women Artists of Art Brut / Bank Austria Kunstforum, Vienna, Austria, February 15, 2019 – June 23, 2019
2019 Alma: Mediums and Visionaries / Es Baluard Museum, Palma de Mallorca, Spain, February 15, 2019 – June 2, 2019
2007 Galleria De Faveri Arte, Feltre, Italy, June 9, 2007 – July 8, 2007
2007 Donne simboliste: Le misteriosofie di Gertrude Honzatko-Mediz e Nina Karasek / Museo del Risorgimento e della Reistenza, Ferrara, Italy, February 25, 2007 – April 18, 2007
2007 Ritrarre l'invisibile / Palazzo Brusati Bonasi, Carpi, April 28 – May 14, 2007
2007 Beautés insensées. Figures, histoires et maîtres de l’art irrégulier / Salle d'exposition du quai Antoine 1er, Monaco, January 10 - February 25, 2007
2006 Oltre la ragione. Le figure, i maestri, le storie dell'arte irregolare / Palazzo della Ragione, Bergamo, May 4 - July 2, 2006

Drawings by Gertrude Honzatko-Mediz on show at the exhibition Flying High: Women Artists of Art Brut. Bank Austria Kunstforum, Vienna, Austria, 2/15/2019 – 6/23/2019

Photo © Nilo Klotz

Drawing by Gertrude Honzatko-Mediz from CoMA on show at the exhibition Plants of the Soul: Floral Fantasies between Symbolism and Outsider Art. Wilhelm Hack Museum, Ludwigshafen, Germany, 3/31/2019 – 8/4/2019

Photo © Elmar R. Gruber

PUBLICATIONS

Bonet Julve, Pilar. "Dell'occulto e del meraviglioso: Jane Ruffié, Margarethe Held, Gertrude Honzatko-Mediz." Osservatorio Outsider Art, 19, 2020, pp. 68–83.
Gruber, Elmar R., "Flying Higher: Mediumistische Künstlerinnen." In: Ingried Brugger, Hannah Rieger and Veronika Rudorfer (eds.), Flying High: Künstlerinnen der Art Brut. Heidelberg, Berlin: Kehrer, 2019, pp. 232–235.
Mediz, Gertrud. Eichendorff. 12 Radierungen zu seinen Gedichten. N.p. (ca 1915).
Roda, Roberto, "Il simbolismo medianico di Gertrude Hozatko-Mediz." In: Roberto Roda (ed.), Eredità del simbolismo: Mitologie, etnografie, esoterismi. Exhibition catalogue. Mantova: Sometti, 2007, pp. 235–49.
Tosatti, Bianca. "Ritrarre l'invisibile." In: Bianca Tosatti (ed.), Ritrarre l'invisibile. Carpi: Arbe, 2007, pp. 4-8.
Calicelli, Cristina. "Geltrude Hozatko Mediz." In: Bianca Tosatti (ed.), Ritrarre l'invisibile. Carpi: Arbe, 2007, pp. 72-73.